Track
Three: Eve Elektro
"Eve Electro"s masterfully manipulated pad work and acid
bass and rhythms lend it to fall roundly into the heavily psychedelic
category, yet is progressive enough to fit into a plethora of high-energy
club land trance music. This track has a distinctly European feel
to it; from the samples to the wind-up, filter-spanning leads, "Eve"
has the octane to keep your serotonin levels up from top to bottom,
and the tension-release moments are plentiful and very killer!
Track
Four: Light Travels
This funkadelic full-on rocker has one of the most tweaked out intros
ever, and as soon as M-Klome has your mind properly spun, the bass
beat kicks in and regulates. Highly manipulated sound waves streak
through the audioscape like little comets travelling around spiralling
orbits. This track has plenty of pretty crazy change-ups, ensuring
that "Light" will never get dull, no matter how many times
it ends up in your playlist!
Track
Five: Out of Range
M-Klome throws a curveball at you in his fifth track... a decidedly
slower tempo makes for a pneumatic grinder of a psy-trance track
which could also very easily add new levels of tweakage into a house
or breakbeat music atmosphere. The synth noises seem to sway between
happy and groovalicious to angry and tense with the subtle shifting
of a mere few notes in the scales. Settle in for the journey because
this piece takes you out to destinations unexpected!
Track
Six: Into
A dark, feral piece, "Into" seems destined to be heard
in a full moon wilderness. Filtered synths rip through and fly towards
the stars and utilize all dimensions of the soundscape in their
travels. M-Klome cooks some nice surprises into this stew... come
catchy, yet tooth-grinding melodies keep the mood low and beg to
be danced to. Topped off with doses of intricate percussion and
clever samplework, "Into" delivers the goods, as promised!
Track Seven: Winds of Change
As the name of this track suggests, the synths come in like a cold
front of stormy acid sound, heralding an onrushing gust of beefy
bass and filtered drums. Assertive, resonant leads orbit the boundaries
of sound against each other like a Doppler signal, adding third-dimensional
parallax to what is otherwise a nicely twisted track which throws
some serious sonic shadows!
Track
Eight: The Wrong Man
A complex chorus of old-school sounding square waves greet you as
the door opens to this track, and by the time the bass kicks in
you're already into the groove. The layers seem added too and taken
away at every moment, yet there's always enough to keep the energy
flowing. A full minute saga of a breakdown only amps up the energy
for the second half, with a completely metamorphosed bassline serving
up a much different flavour than the first half!
Track
Nine: Deep Contact
Again taking the tempo down a notch, M-Klome ends his maiden album
with a tweaked-out, chilled-out arrangement hallmarking tribal drums,
thick, eighth note basslines and synths and sweeps which carry you
on a carpet ride into the stratosphere! But don't think M-Klome
will settle with just that... the layers keep coming and coming
until that space between your ears is abuzz with audio electricity!
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